Tuesday, 10 May 2016

Regulation essay

Amiee Little 
To what extent is it becoming more difficult to regulate media, and why? 

Regulation can be defined as two main things, conservatives would say it is a form of protection for the vulnerable and liberals would say it is a way to control the public and take away their freedom. I agree with the liberal approach more however still am able to see the benefits of some regulation. In the past regulation was viewed as necessary due to the vulnerability of the public especially after the war. Regulation made sure that the moral standards of society were also upheld in society. Regulation in the contemporary era is more difficult due to the audiences being desensitised, this means that they have seen so much sex, violence, explicit language etc that they are immune to it and therefore need a bigger shock, therefore regulators now have the pressure of deciding to what extent is too shocking for the audiences. In 2015/16, we regulate through three main regulatory bodies: OFCOM; PEGI and BBFC. OFCOM regulates television and radio through licences and fines, BBFC reviews a film and then awards it a certificate of age and PEGI does the same as BBFC for games. The postmodern age is hard to regulate due to technological proliferation over the years and society being more ‘forward thinking’. Many people fought for their rights and freedom in the modern age and it can be seen as being taken away due to other people telling individuals what to watch and when.  However the counter argument is that many people in society can be portrayed as vulnerable and unable to regulate the media for themselves and need a regulatory body to do so regardless of how difficult it can be seen to be.  

OFCOM were set up in 2003 and took over regulatory practices from several different bodies including OFTEL. They are a reactive, statutory body and thus means they regulate after the content has been released and if they receive complaints they follow the laws made and set out to regulate accordingly. OFCOM use their ‘nanny state status’ meaning they have issued licenses to all programmes and if they breach their license it can be taken away or they are given a fine, this works even in contemporary times as the fear of intervention prevents producers of programmes to go against their contract. However, OFCOM illustrates faults in regulatory practices today. Benefits street is a case study of a which illustrates that regulatory practices such as OFCOM do not always follow their word. OFCOM states it is run to protect the public and work in the interest of the public, however those featured in Benefits Street were part of the public and were not protected at all. This was due to social media. The internet is a medium of which is not regulated and can often be used when a moral panic is happening or can even create a moral panic in itself.. Social media owners were therefore going online and being discriminative towards the people shown on the programme due to what they had seen. They labelled them and even sent death threats in to the show however OFCOM still allowed the programme to continue. This was due to OFCOM being statutory, in the discrimination act there is nothing inclusive of class discrimination and thus OFCOM did not intervene. This case study illustrates that it is difficult to regulate in contemporary society as the term ‘regulation’ has many different meanings and it is difficult to justify it is to protect the vulnerable in the public when certain groups in society are not included in the protection regardless of them being vulnerable.  

Regulation is becoming increasingly difficult to regulate due to technologies proliferation in the postmodern era. Children now have access to their own tablets, phones, televisions, radios etc. This is also placed inside their bedrooms where parents have no control over what is being viewed and at what time. OFCOM state that their watershed is effective and I agree it is as personally I have not seen anything explicit before 9pm however, even though the watershed is effective at ensuring children and vulnerable adults do not see anything explicit before a certain time it does not mean they will not see it after. Children can easily watch television in their bedroom and access the explicit content without anyone knowing within their household. Furthermore, the access to the Internet they have means they can easily use their tablets or computers to access television catch up programmes online where they simply lie and tick a box stating they are 18 or over and can watch what they wish when they wish. The same is applicable to the BBFC and their regulatory practices. BBFC watch films and choose a certificate of age rating to award the film with, they also have the power to cut films if they are too explicit or even ban the film. BBFC recently banned the film Hate Crime due to its content including the torture of a Jewish family. The film was not banned because of the rape scenes, nor the language, not even the gore and violence. It was simply due to the fact that in world war 2 the Jews were discriminated against and in this film it was shown to be the same again as the people committing the hate crime in the film were neo-nazis. However, the director was Jewish himself and it could be argued this was an art film and thus BBFC completely missed the point to the film. This illustrates that regulation is becoming more difficult to do as society is changing and reasons behind doing things are changing. The BBFC did not take into account when banning Stuart Halls reception theory, they did not think that people may read the film differently than first appear. Hate Crime was evidently a horror film so it could be argued that the dominant reading would be that neo-nazis are bad and Jewish people are still victims in society and this reading would be the preferred one taken by the majority of people. However, the BBFC followed the copy cat theory and believed that people would think its okay to do what happened in the film or it may spark interest in them so they plan to do become a neo-nazi. The copy cat theory is shown time after time to be an ineffective theory due to its age and it's irrelevance to contemporary society, it therefore is argued that it is becoming harder to regulate but rather than adapting to societal change regulators are following and continuing what they have been doing for the past years and therefore is arguably ineffective. 

 Regulation is performed by those who work for PEGI BBFC or OFCOM. The majority of the people who make the final decisions are the elite. This in itself is an example as to why regulation is becoming more difficult. Middle class people tend to go to private schools, have private health care, live in areas filled with middle class people and shop in more expensive shops. This therefore illustrates that the middle class or ‘elite’ have a completely different life to the working class in every aspect. They also rarely come into contact with the working class and it is on a rare occasion to be of choice. This shows that it is difficult to regulate for the working class as those regulating are making assumptions. Gramsci’s theory on hegemony is applicable to the regulation industry as the ‘elite’ have the power to withhold information and content from the working class thus keeping them at the bottom of the system and keeping the upper class at the top. 

Regulation is difficult to perform as people are more individualistic in contemporary times and therefore want more freedom of choice. It can be argued parents should be able to choose what their children consume and individuals should be able to choose what they consume rather than people who have never met the consumers and do not know what they should be regulated from personally. This links to the uses and gratification theory as different people consume different things depending on what they want to gain. For example some people may want their child to learn about what is going on in the outside world and gain knowledge rather than miss it because OFCOM have placed a watershed and graphic news is aired at 10. Furthermore some people may want to watch horror films that are so gruesome the elite have banned them as they relieve tensions on the consumer and they can escape from everyday life. Therefore regulation is difficult now as individuals do not follow the status quo or norms and values in society and are more individualistic and regulation works by classing everyone as the same and giving them the same boundaries. 

Regulation is becoming more difficult as society has changed and developed over time. The family institution has changed from the 50s. The nuclear family was emphasised as the best socialisation for children to grow up in and thus to uphold moral standards families followed this. The children would be ‘seen and bot heard’ and do as they were told. However in contemporary society children are given more independence and family units have changed. The majority of families are made up of mum and children in today's society. This can make regulation more difficult. This is because parents may feel guilty for not providing their children with everything they can so they try their hardest and thus break regulation rules and laws. Single mothers maybe be persuaded by their children to get them an 18 rated game as issued by PEGI. The reason why this group may be easily persuaded is due to guilt as well as not having another adult to assert authority onto her child and thus allowing them to get what they want. Even in families with two parents children have access to games classified as 18 or 17 however they are underage. If parents do not get the children these games, older siblings or older friends do and regardless they have access to games with explicit content. This therefore makes regulation difficult to do as there are loop holes people can find in order to not follow. 

In conclusion, regulation is becoming increasingly difficult to regulate as desensitisation has taken place over the years and individuals are no longer effected by classified explicit content. Furthermore regulation is becoming difficult to put into action as many people do not follow it under the impression that they believe they should be able to have personal freedom and pick what media they consume. 

Thursday, 3 March 2016

Woolwich terror attack

The Woolwich terror attack was a crime of which showed the reality of terrorism and who does it. OFCOM allowed new publishers such as ITV, BBC and channel 4 to broadcast the footage filmed by a witness on television pre-watershed. The content being aired caused much controversy and OFCOM received over 700 complaints about the video. The video contained blood, a dead body and a weapon alongside the murderers giving an explanation for their act.

OFCOM allowed the video to be published due to many reason. The person who filmed the murderer had done so on their mobile phone and thus if it had not been published it most likely would have been easily accessed online. Furthermore, OFCOM allowed it to be shown for public interest. They state that it was important for the audiences to see the video in order to understand that terrorism shouldn't be scapegoated onto people from other countries, it can easily be people who have lived down the road from you for years and been friends with you. The reason behind the company airing it is controversial in itself. OFCOM is a government organisation part of making the UK a nanny state.  OFCOM is influenced by the political government of which is of right wing conservative views. This means that the company works alongside the government and deciphers what to regulate through them. The regulators might have stated that it was allowed to be broadcasted due to societal and public  interest however they might have just wanted to create a moral panic so that people of the U.K. would tell the authorities of any hints of people being radicalised.

In comparison to the film regulatory body BBFC, OFCOM can be seen as lie isn't. This is illustrated through this case study. OFCOM rely on their authorities guidelines (nanny state status) to keep channel's within their license however BBFC ensure to check the film's and give a certificate so people at 'risk' cannot access the content. It can be argued whether it was really necessary for the regulatory body to allow children etc to watch it as the only regulation procedure is the watershed and it was put out beforehand.

In conclusion this case study shows that OFCOM is a regulator that is not completely moral. This can be concluded from the fact that they use the excuse of public interest for the interest of their views informed by the government.

Friday, 26 February 2016

Lesson notes: 26/02/2016

1980s moral panics, scapegoating and video nasties

-media created moral panic for: -reaction -money (selling)
-when a government with right wing values is in charge moral panics occur as it gives an intensive for those in charge to be able to take charge and control more! (a way of society saying we need to do something about this so we rely on the gov to do so for us aka nanny state)
-To protect us we have cctv etc because terrorism isnt just done by outsiders of the country but are committed by those who were born here and have grown up here.

Scapegoating
-media blames a certain group or individual for certain things mainly crime in the media
eg. Riots were blamed on young working class people stealing from shops of which was also blamed upon their deprivation of materialistic items which are advertised everywhere by the capitalist class.
-shifted blame onto others.

Russel Brand:
"the bankers farted and the gov smelt it and then blamed the youth and immigrant"
Both are thefts but Bankers during the recession were not put in prison however those in the riots were made an example of and went to prison for their crimes.

Video Nasties
- Scapegoated as rather than saying its the government, education, parents, teachers etc fault they claimed it was the film's fault.

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Activity:
Group 3

Work in relation to this points:



-Conservative government sought to protect
-Videos being distributed by cornershops, market traders and garages
-The covers on the boxes often more grusome than the content
-Regulated videos to have age restrictions by BBFC
-Moral Panic created by Media the term: 'video nasties'
-Government Censorship & Police Raids on VHS dealers
-Riots and civil unrest, unemployment and recession
- Moral Campaign against video nasties; Mary Whitehouse (NVLA), Margaret Thatcher, the media and the BBFC.
-The above mentioned scapegoated the video nasties for immoral behaviour which led to a moral panic
-Cinema attendance declined massively due to the rise of VHS
-Video Nasties like Evil Dead, I Spit On Your Grave and Driller Killer were realistic because they were low budget
-Video Nasties were niche films and really popular with teenagers due to controversy
-Video Nasties were exploited to explain responsibility for moral decline in society
-Watching video nasties helps put it in context of narrative, the campaigners did not actually watch them
-Video Nasties were made for distribution only via home-video
-Censorship or individual judgement?
- Video Nasties created diversity of films
- Video Recordings Act 1984, banned list

Notes on the above:

Mark Kermode - film critic
- unregulated uncensored horror films accessible to english horror fans in the early 80s
-Martin barker the legislation brought in for video nasties was brought in under false pretenses 
- brought in by Graham bright the video recording act
- this changed society today
- Horror fans were firstly able to access them through video store and watch them at home and this is familiar to us now is us watching them at home online
- Hypodermic needle theory - "could influence anyone children as well as dogs"
- Graham bright "research is taking place and it WILL show..." all these studies are biased and fake and the legislation has already been put through showing that they just wanted to get them out of the home unit if not wanted by government. - brought in through fraudulent cases. 
-you ban something makes someone go and watch them in the 80s and this still happens today eg, people watching human centipede 2 online regardless of it being banned to see why it was banned.
- Prediction will take away the privatization of the home institution and will intrude on homes through spy wear on phones, websites, ISP (internet service provider) etc. Regulation of homes are already put into action as every site thats been looked at by every individual is stored into data bases and if something is being looked at that is unwanted so they block sites.
-In the future this regulator could be OFCOM


Activity work:

The moral panic about the uncensored Video Nasties and concerns unregulated video content and move to regulation of film in the home.
MEDIA EFFECTS THEORIES - scapegoating, copycat, moral panic

-This Is England, 2006Shane Meadows’s brilliant coming-of-age tale follows the rites of passage of a young boy who becomes seduced by the bigotry of a racist skinhead mentor. Rated 18 by the BBFC for both profanity and racial insults, the film made headlines when director Meadows insisted that its target audience was 15 year olds who would be more than familiar with the language and situations presented - potentially could cause moral panic about ethnic minorities and discrimination or exclude and make them vulnerable in society. 



- effectively was no regulation or certificate on films
- huge amount of arrest in society, mass in unemployment, violence from the Falklands war and they needed something to help stand as reasoning
- Video nasties were used to explain everything and were always blamed for negative things occurring in society ( MEDIA SCAPEGOATING THEM)
- Video nasties were an explanation of societal moral decline
-Conditioning the audiences watching adverts by sarcastically stating "keep repeating they were only movies" this goes against the idea to "avoid moral panic" as it causes audiences to think about about how the films could be the reasons for violence, REVERSE TACTICS
- MP's were shown the videos and were "physically sick"but young boy was interviewed and had the following dialogue with the interviewer:
"Dont they scare you?"
"nah i dont have no nightmares or nothing"
- The contrast between the MPs alleged reaction and the boys suggests that the MPs did not actually watch the films or that they lied about their responses to the films to ensure that the legislation would be passed.
- The laws were fraudulent however it was sufficient with everything else said to ensure it got through parliament.
-Expose was the only british nastie film banned

Question 3 evaluation



PRESENTED ON WEEBLY ALSO.




We gathered a group of students in college within the age range of the film we are targeting to as they are all teenagers. We then asked them a series of questions individually after showing them our media products as a group and found out the following results.






I think that the poster and magazine both look conventional because of the layout of each of them and the placement of the image and headlines.




I think the tagline is catchy as its short and gives a little insight into what the film is about.




The font is fitting to the genre as it has an eroded look to it on the poster and on the magazine it has the same fonts as the poster and trailer so it fits well and still has that creepy vibe about it as it is crooked looking.




Theirs an evident link between the poster and magazine as the colours and images are the same nearly so this looks like they are of correlation.




I would go see the film as it looks interesting and both the products do not give too much away but its obvious its about possession, people who are close and murder because of the picture and the tagline.




i think the colour schemes do work well as they are Gothic and very common in the horror genre as i see them a lot on posters.




I first noticed the pictures on each of them as they are big and so my eye was drawn to them automatically.




Pros:

- the colours and images work well together

-both of the products aren't too packed with stuff on them they're easy on the eye.




Cons:

- the poster background should be black to fit the colour palette

- the magazine should have pictures






i think the horror poster is conventional and he poster is too as they look like ones on the market at the moment.




The tagline is effective and really catchy because it is short and easy to remember.




I think the typography flows well from the magazine to the poster as they use the same fonts and this makes the continuity easy to recognise.




The link is there because of the typography and also images. The featured images are similar as they are of the same antagonist which makes them flow and link easily for the audience.




I would go and see the film as the magazine and poster both look scary and also they look really professional, they also look like other horror ones but also look original because of the character being a girl and shes the audiences age.




The colour scheme works really well its the typical horror colours.




The first thing i noticed was the image on both of the products as its the largest item on the page and the mag one makes eye contact with you and the poster image looks like shes possessed and hovering or summoning something.




Pros:

- colour scheme

- photography quality and positions in the images




cons:

- poster could have had more reviews to fill empty space

- the magazine couldve had more images.




Images of the class looking at the products:

































































Above you can see that we put the results of the closed questions in to a pie chart generator to display the results from our audience feedback so it would be another resource to analyse the feedback from.
















Trailer:

Do you think the trailer is conventional?

Do you think the colours work in the trailer?

Do you think the captions are effective?

Do you think the typography on the captions work?

Do you see a link to the poster and magazine?

Do you like the trailer?

What do you think about the length?

Would you go see the film?

Pros and cons?

















































We made a survey on surveymonkey.co.uk so the people in the class could give us feedback online. This was to ensure we got a clear overview of the work and the feedback was made into bar charts. This meant we could read the comments in a quick and easy way to see the overall percentages of each questions answers.







Magazine questionnaire:

what do you notice first?

masthead

film title

image

coverlines




do you think the composition of all the components work?

yes

no




Do you think the font is fitting to the genre?

yes

no




would you buy this?

no

yes

if no why?




if you was to buy it how much would you pay?

£2.50

£3.00

£3.50

£4.00




Do you think it is too busy?

yes

no




Do you think there should be images?

no

yes




do you think the colour scheme is fitting to the genre?

no

yes



















































can you tell the genre of the magazine is horror?

yes

no


From the feedback for the poster we learnt that:
Although it was of good composition and the typography worked well as a whole it still looked sparse and the audience would have enjoyed having more reviews surrounding the main image to persuade them more about the film. We also learnt that out colour scheme was fitting to the horror and worked well and was not to over powering of the image. We learnt that the image was effective in the center and the pose was effective as it made the narrative more evident for the audience.

Magazine feedback showed us that the product worked well in conjunction with the poster as it included the same character as the poster, had the same fonts and also the same colour scheme. The audience liked the magazine as it was full of content and was not to overbearing. However we found out they would like more images on the cover to make it more visually pleasing as they found it was covered in words and was not as appealing as the poster was.

Trailer feedback let our group understand what the audience liked and did not like about it. We found that the majority of our audience found that the trailer was conventional and worked alongside the poster and magazine as they were all synergistic. We found that the audience could understand that there was a colour scheme running through all three products but stated that the filter over the trailer was not pleasing to the eye and although it made it synergistic to the other products it was not up to the quality of the actual video clips. The audience found the captioning clips effective and enjoyed the visuals provided with them including the shakes and also the sound of the boom when each appeared.








Thursday, 25 February 2016

Lesson: 25th February 2016

Case studies for media essay.
BBFC
• Looking at the 1980's - video nasties
• We need to look at the past if we measure change. 
• Evil dead and Human centipede 2
-> what has happened in the past 30 years from evil dead to human centipede 2
• They were both banned (1980s and 2011) 
-> not current so a new case study will be used for the real exam a 2015 or 16 film
• 9 songs - had pornographic scenes however that was given artistic merit so they could release it on this behalf in cinemas 
• hunger games - 12A - can watch children killing each other however have a stronger feeling and negativity associated with sex scenes rather than violence
--------------------------------------
OFCOM
• big brother - upholding the law by evicting the male boxer who was discriminatory towards those who are homosexual 
• Woolwich terror attack - video before watershed shown on a loop, the loop was sensationalist causing a moral panic the clip was featuring a dead body, blood and a weapon 
-----------------------------------
Video Nasties
The government pressured the BBFC to ban the film's but didn't even watch them 

Liberal
open to unregulated information 


Regulation can be used to control or protect

For reg:
• Bobo doll experiment (Bandura 1960) 
-> concluded that when watching a violent cartoon and then played with the doll that the children would violently attack the doll because of the cartoon
-> hypodermic needle 
-> media effects model has no worth? Wrong because media does effect generation eg bigerxia (body building) and anorexia (thin) 

Against:
• freedom and ir/responsibility 
-> revolves around an individual, self-interested, selfish 
-> individual freedom is the enemy of morality eg. single dad of 2 wants to leave his relationship to begin a new -> freedom but immoral 

so why do we reg?
vulnerable kids
vulnerable adults
legal responsibility -> stereotypes etc

is it about protecting society and morality?

Norms and Values taken into account
• our society is not okay with human cent 2 it's taking it too far 
• but ! who are the regulators to tell me what I want to do?!
-> upper class white men deciding what every type of person watches without actually knowing them
• they have conservative right wing traditional values 


---------------------------
social change:
1980's

reaction of the newspapers in this story and why they did it?
who was Mary whitehouse?
why did teenage boys at school want to watch this and can we trust statistics?

relevance on politics and society:
• Margaret thatcher - conservatives get rid of liberal views and wanted privatisation 
• people could watch films at home through VHS you could hire from video shops and they were horror films majority of the time 
• this was dubbed by Mary whitehouse as the video nasties as 'nasty' films were allowed into private spaces like homes
• terrified that children would watch these so video shops were 'snatched' by police
• resembled a drugs bust
• daily mail right wing newspaper
• caused a moral panic because of the over sensitisation 
• everything blamed on video nasties 


Tuesday, 23 February 2016

research on OFCOM

What political or social reasons do you think that OFCOM made its decision?

social:
Speaking into the camera with bloodied hands, he went on: "You people will never be safe. Remove your governments – they don't care about you.
political:

"Do you think David Cameron is going to get caught in the street when we start busting our guns? Do you think your politicians are going to die?"

"Killing to make a political point, or to frighten the public to put pressure on the government, or as an expression of anger, is murder and remains murder whether the government in question is a good one, a bad one or a dreadful one.

"Equally there is no defence of moral justification for killing, just as there is no defence of religious justification. An eye for an eye and a tooth for a tooth suggests revenge or retaliation and, in the context of this case, murder."

What are some of the arguments or opinions about REGULATION of this Case Study being broadcast?

Of course TV news and print front pages should have shown the full horror of the killing. There's no point whatsoever in deodorising such coverage in case people of a nervous disposition are watching. There's no point flooding south-east London with police and not saying why. If we want slaughter like this to be seen for what it is, we have to be shown clearly what it leads to.

Sir Max Hastings – under a Mail headline about the "enemy within that hates our tolerance" – claimed that the "avalanche of publicity" was inescapable, but added: "We do not yet know whether they acted alone, or were members of a terror group". 

Simon Jenkins put it starkly in the Guardian. "It is this echo chamber of horror, set up by the media, public figures and government, that does much of terrorism's job for it. It converts mere crimes into significant acts. It turns criminals into heroes in the eyes of their admirers. It takes violence and graces it the terms of political debate."